Daniel Lewin, unleashes a monstrous voltage of guitar distortion. Heavy music makes us do strange things, and I’m fist-pumping my way through the opening song, ‘Bloodlines’, and screaming unintelligible syllables at the top of my lungs as if nobody else existed in this room. Two people next to me thrash their heads to the circular riffs and demonic vocals and seem to be having the same experience as me. Lewin’s technical groove riffs and Amelia P. White’s deep bass incursions give their chaotic death-thrash a perfect platform for Waller to clear his lungs and cleanse his body of the demons that possess him